and that major (and costly!) embarrassment of a show rejected because one. Still, within their business, a point or two off is the difference between flying through the QC of the broadcaster without a hitch. the scopes there run within 2-3 points mostly, sometimes at most 5 off. Their comments, when they've got PrPro up and looking at Lumetri. My colorist friends all run Flanders Scientific main monitors and have a few grand in calibration gear besides having their complete setups (with 4-5 monitors & a projector typically) professionally calibrated at least once a year. my GH3 in say a studio setup can give media that will read from -3 to about 105. The WMP was displaying them rather high-contrast, as if they were running about -3.Īnd yes, the Lumetri scopes can certainly show data outside that 0-255 range. When his signals were showing at around 8. Not quite as accurate as say someone running ScopeBox through a BM exterior box from Resolve.
Those Lumetri scopes are pretty close to showing the actual signal level as it exists. With the cheapo amateur video players, you mostly need to ignore them. To actually get the media shown on the screen even close to how it was seen by those who created and distributed it takes a bit of work. It's all set up from the factory to "enhance" your experience, probably way over-saturated in some color/colors (think reds & greens) and probably way too high a contrast.
SCOPEBOX VLC TV
they're like getting a new cool tv home from the store or Amazon.
SCOPEBOX VLC PRO
I know that Premiere doesn't actually have a colour space, so I am assuming forcing it to read footage in a different way is not possible.ģ2.0GB Dual-Channel DDR3 664MHz (9-9-9-24)Ģ38GB Samsung SSD 850 PRO 256GB (SSD) 29 ☌Ģ38GB Samsung SSD 850 PRO 256GB (SSD) 24 ☌Ī "cheapo" video player like Windows Media Player is so designed around the concept of "enhancing the viewer's experience". I have confirmed my Matrox codec settings are locked to RGB 0-255.
Now my guess is that Premiere is reading the footage as RGB 16-255 however when I manually configure NVIDIA to display RGB 0-255 there is no change (and I also lose CUDA) Images for explanation (obviously screen grabs are a poor demonstration, but might help): When I look at the footage in Windows Media Player the blacks look right - as in pitch black, however once I import this footage, my blacks look grey and flat. I have confirmed the pedestal in camera using the Waveform display that is available on the XF 305s. It is crucial that I have a pure black background, and crushing the blacks in Premiere introduces grain and colour blocking - hence attempting this solution. I changed the Camera Picture profile to set my black pedestal and black gamma to -10 as lumetri has been showing me that my black backgrounds have been sitting between 0 and 10 IRE or between 0 and 26 in the RGB 0-255 when viewed through the Waveform (RGB) monitor.
SCOPEBOX VLC PC
I have 2 Canon XF 305's connected over SDI to my PC via a Matrox card.
SCOPEBOX VLC SOFTWARE
Whether you're working in editing and compositing applications like Premiere Pro, Final Cut Pro X, or After Effects DIT tools like Prelude, Silverstack, or LiveGrade or color grading software like Resolve you can use the same professional scopes.This is a complex question to pose so it is possible my title is not detailed enough to convey my specific concern. ScopeLink allows you to feed video directly from many popular applications directly to ScopeBox. You can mix and match scopes, save layouts, and be confident that you're seeing every pixel and every frame of your signal.
A custom toolset crafted for creative professionals - colorists, editors, and shooters. Add framing guides and overlays to make sure that your shot works out exactly the way you expect.Īll the scopes you'd expect from hardware, and many many more. With false color and feature insights, you get the most powerful toolset available for quantitative viewing. You get all the features you'd expect to find on a high-end field monitor. ScopeBox gives you a high quality, flexible preview monitor. All scopes can be resized, re-arranged and customized according to your needs. You have the option to match and combine scopes, save and reuse your layouts. ScopeBox comes with numerous waveforms and vectorscopes as well as a RGB histogram and a Channel Plot. ScopeBox is a powerful and versatile macOS application that offers you a high quality preview monitor, numerous signal analyzers and recording capabilities for video of up to 4K resolution.
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